home *** CD-ROM | disk | FTP | other *** search
- SHOW BUSINESS, Page 72Archaeology by Laser Light
-
-
- Long-lost editions of classic movies turn up on discs
-
-
- Remember Buddy Ebsen as the Tin Man in The Wizard of Oz? Of
- course not. And Ray Bolger as the Scarecrow? Of course. But the
- Scarecrow dancing crazily off fences, being bowled over by a
- pumpkin and sailing high in the air over the cornfield? Well.
- . .
-
- In fact, Bolger did perform just such a dance number. And,
- yes, there was an appearance by Ebsen as the Tin Man. But few
- have seen these scenes for decades, except for a couple of
- archivists at MGM and some film fanatics. Now they are finally
- available for home viewing -- but not on tape. They can be seen
- only on the sumptuous laser-disc Criterion edition of The Wizard
- of Oz.
-
- Laser discs (basically, CDs with movies on them) may have
- suffered from consumer confusion in the marketplace. But for
- film aficionados and filmmakers, from Steven Spielberg to
- Martin Scorsese, they are the home-viewing medium of choice.
- With peerless sound and a better picture than even the best VCR
- can deliver, laser discs do the fullest justice to their
- theatrical source material. To make them even more attractive
- to movie buffs and general viewers, disc producers are offering
- extras unavailable on tape and often even in theaters, such as
- Bolger's full dance number, which never made it into the Wizard,
- and Ebsen's brief appearance as the Tin Man.
-
- More and more, such delectable morsels are coming to light
- as interest in laser grows (distributors predict the laser
- market will double in sales to $80 million by the end of 1989).
- But the historical fillips are more than curiosities and
- commercial come-ons. They make movies resonate with fresh
- possibilities and new impact.
-
- The Criterion Collection, from the Voyager Co. in Santa
- Monica, Calif., turns out the most formidable disc library. Its
- version of Orson Welles' masterpiece The Magnificent Ambersons
- contains, among other items, the entire shooting script, a full
- set of storyboards, and stills of crucial scenes deleted by the
- studio. The Criterion edition of Blade Runner has a lavish set
- of designs by "visual futurist" Syd Mead; the disc of 2001 was
- personally overseen by Stanley Kubrick and includes almost a
- thousand pages of essays and production memos. "We're a
- significant part of an as yet insignificant business," says
- Voyager co-founder Robert Stein. But other companies are fast
- picking up on his lead. MCA's pristine disc of the Anthony Mann
- western classic Winchester .73 contains a beguiling chat with
- the film's star, James Stewart. And Image's release of Platoon
- includes an impressive, intense interview with director Oliver
- Stone.
-
- Voyager has always been scrupulous about releasing
- wide-screen films in "letter-box" format (masking the top and
- bottom of the screen to duplicate the breadth of the theatrical
- image), and this idea too is catching on. MGM is marketing
- lavish wide-screen editions of Doctor Zhivago and Ben-Hur, and
- 20th Century Fox will put out the Star Wars trilogy, as well as
- the recent smash Die Hard, in the full-frame format. Even E.T.
- was letter-boxed on disc, and Spielberg's earlier 1941, when it
- arrives on disc this summer, will be in wide screen and contain
- some 20 minutes of previously deleted smash-and-grab comedy
- footage. All this feverish cinema archaeology confirms that
- laser disc is not only the best way to see movies but also the
- best way to see a lot more of them.
-
-